Review by John Nice
Conservatoire East started 2025 with their take on Rodgers and Hammerstein’s claasic version of Cinderalla the musical.
So fast paced was the show that I was almost late for the ball myself, just making the opening minutes of this rapid speed bullet train of a production.
The story is a well-known rags to riches adventure that sees a kind-hearted soul overcome wickedness thanks to a foot that fits a glass slipper – and a godmother who can turn a pumpkin into a carriage.
Although this isn’t a panto, I found myself inadvertently slapping my thigh during one of the many musical numbers that permeated throughout.
(Portia is third from the right at the back)
The familiarity of the narrative is quite comforting – for me it was like watching an episode of the TV sitcom Friends.
But ‘how was I doin’ after the show?
Could I be any happier?
Well – I was gutted I almost missed the beginning – but other than that – the 55-minute whistlestop tour down memory lane was magical.
There are two alternating casts for the show (called ‘Rodgers’ and ‘Hammerstein’).
I saw the Hammerstein cast where Lorna Ferguson (Cinderalla) and Max Doherty (the Prince) didn’t sweep anything under the carpet – both produced a clean and solid performance – as did a supporting cast.
Special mention to Isabelle Walker who stole the show with her wickedly funny portrayal of stepsister Portia, and Caitlin Chenery whose great timing and a wonderful voice will surely one day grace much larger audiences.
Lottie Pook and Emily Scott took centre stage this time as directors. They both must feel proud of the marvellous adventure they have created.
And technicians made up of students and staff were ‘brooming’ brilliant.
It’s a short run this – ending on Saturday 8 Feb 2025 – but does Cinderella get to the ball or does this production have the greatest ever twist since Bruce Willis realised he was a ghost in the chilling film called The Sixth Sense?
